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For Oboe, Violoncello, and Harp
For Oboe, Violoncello, and Harp
By Joan Vincent Machi i Castell
Composer¿s Notes:
The first sketches of this trilogy and its poetry were composed in the winter of 2001 and finished in November of 2003.
The music is based on poems which I wrote before the music. Due to their brevity, these poems reminded me of Japanese Haikus.
I have aimed at keeping the feeling or spirit of the original poems through the music.
In the score, I recorded these poems, which are part of each movement, so that if one wishes to do so, the poems can be read together as a whole before the music begins, or else be interspersed as introductions to each musical movement.
The most sincere gratitude and appreciation to Anna Brígido Corachán, English teacher of the Philology´s University of the city of Valencia and to my son, Escarlata Machí Alonso, for his enthusiasm and subtlety in the introduction of the poetic part of this work.
For Oboe, Violoncello, and Harp
By Joan Vincent Machi i Castell
Composer¿s Notes:
The first sketches of this trilogy and its poetry were composed in the winter of 2001 and finished in November of 2003.
The music is based on poems which I wrote before the music. Due to their brevity, these poems reminded me of Japanese Haikus.
I have aimed at keeping the feeling or spirit of the original poems through the music.
In the score, I recorded these poems, which are part of each movement, so that if one wishes to do so, the poems can be read together as a whole before the music begins, or else be interspersed as introductions to each musical movement.
The most sincere gratitude and appreciation to Anna Brígido Corachán, English teacher of the Philology´s University of the city of Valencia and to my son, Escarlata Machí Alonso, for his enthusiasm and subtlety in the introduction of the poetic part of this work.
Movement 1:
Movement 2:
Movement 3:
