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This composition is the second piece from a set of three dances and is by far the most delicate and elegant in the series .
As with the other two in this group, it poses challenges of its own. Often the instruments are playing at different dynamic levels. There are several examples of crescendo and diminuendo markings without any dynamic level indicators; this was deliberate and should be left up to either the performers or the conductor. Also, there are extended sections of pizzicati which must be played precisely or the light and airy phrasing will be blurred. Finally, at the end of measure 107 and again 108 there is an eighth rest. This should be strictly adhered to or the effect will be lost.
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