Product Overview
Palestrina set the Latin text for twelve voices, three choirs of four parts each. In transcribing this work for bassoon choir I have kept these designations. I recommend that in performance, the three groups be spaced far enough apart that the original antiphonal effect is reproduced.
I firmly believe that transcriptions of Renaissance masterpieces should be used in seminars, masterclasses, or "Bassoon Day" situations. In addition to exposing the performers to the beauties of repertoire with which they may not be familiar, study of this music provides many benefits which can not help but contribute to a player's growth as a musician. Works from this era will help develop a strong sense of rhythm and metrical pulse, as well as forcing players to accurately count their own part. As the lines are independently conceived, each player must shape their individual phrases, promoting expressive musicianship. Lastly and perhaps most importantly, these compositions will quickly expose intonation deficiencies and will necessitate a careful approach to linear intonation as well as tuning vertical intervals.
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